As we mentioned before, if you’re looking for some of the best party music of 2009, look no further than Dan Deacon’s new album Bromst. Can’t wait for the party music and desire the entire party experience to your self? Catch Dan Deacon on his 2009 tour in support of the album. Dirty Handsome caught Deacon’s stop in San Francisco while there on business a few weeks ago.
As with anything as Deep Hipster as a Dan Deacon concert, one must weigh the pros of the experience against the annoyance of being in the presence of so many hipsters at once. And we’re not talking your baseline “wow, getting coffee in Silver Lake/Williamsburg/[your local hipster neighborhood] is pretty annoying when I’m hungover. I swear to God if I see another “man” in skinny jeans I might scream” type of annoyance. We’re talking deep – VERY deep – hipster here: “I think I’ve been surrounded by some sort of emaciated self-rightesouly entitled species where everyone is trying very hard to look ugly on purpose and normal size/color glasses are completely unavailable” type of aggravation (and borderline disorientation).
In an effort to help you make an informed Handsome decision, a concise review of the pros and cons of our experience are below. Please peruse before making any rash decisions. (Read on …)
Continuing our recent trend of providing you with only the best party music suggestions for 2009, we wanted to sound a Handsome Alarm that Dan Deacon will be releasing his second album Bromst on Carpark Recrods on March 24, 2009. Need a real party city alert? Deacon will be touring this spring across the States, eschewing his “traditional” one man show for a 15 person ensemble (see video above for his new song “Snookered”). Whatever the makeup of the touring band, we assure you that it will be the sweatiest, whitest, most ridiculously faux-ironic dance party to end all dance parties in your recent memory. Ever.
Disclaimer: when it comes to indie music artists, Dan Deacon is definitely on the fringe of our music tastes. The complicated rythyms, the modified squeal vocals, the variance from song to song, the invariably annoying crowds – it all confuses us a little bit. But the best indie music should challenge and reward you, and in this Deacon delivers. (Read on …)
Sometimes as the party winds down (or winds up…), you need some tempered jams like School of Seven Bells’s late 2008 release “Alpinisms” – top indie music that has a softer side that won’t drown conversation or overwhelm mood while keeping the smiles coming. Key to this borderline-oblique subgenre of party city is synthesizer-heavy indie pop categorized by the indie rock media’s endless attempts to adjectivize it:” dream-pop,” “guitar-led ambiance,” ” insidiously catchy,” “amalgams of progressive soundscapes” and so forth. Feel free to file this subset of indie music under “Brooklyn’s Necessary Evil.”
If you’re stuck on the internet searching for perpetually hopeless terms like “best indie music” for just this type of occasion, look no further than the School of Seven Bells single ‘”Half Asleep.” (Read on …)
Party music, and we mean a song that creates instant party city, is few and far between. The Animal Collective’s single “My Girls” from their new album Merriweather Post Pavilion is instant dance party, the first party music of 2009. “My Girls” demonstrates that the lyrics Animal Collective dream up have a pop accessibility that makes the more difficult end of electroindiedance-for-real-we’re-indie-but-dancing-and-gentrifying-neighborhoods music just edible enough for the mainstream consumption. What it lacks in the raw power department of jam anthems like Animal Collective pal Dan Deacom’s “Crystal Cat” (more on this later) it makes up for in versatility.
Our recommendation – run out and enjoy the music immediately before commercial radio or popular culture (or advertising) ruins it for everyone. By Easter, you will hate this song. (Read on …)